In France, 3.7 million people are illiterate. "J'ai pas les mots, 8 semaines pour sortir de l'illettrisme" (I don't have the words, 8 weeks to overcome illiteracy) gives them a face, a voice, and above all, a chance. For eight weeks, seven participants from different backgrounds, all facing illiteracy, will follow an intensive learning program, supervised by trainers and coaches, and accompanied by singer Kendji Girac. Through practical, fun, and realistic workshops, they will tackle everyday challenges. Week after week, these learners will attempt to regain their independence and, above all, their self-confidence. Until the final challenge: writing and reading a personal speech in front of their loved ones.

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From November 2018 to May 2019, nine long-sentence inmates from the Meaux-Chauconin penitentiary will take part in a theatrical creation directed by choreographer Hervé Sika with the collaboration of professional artists and the Orchestre de chambre de Paris. From boxing sessions to writing workshops and dance rehearsals, right up to the final performance at the MC 93 in Bobigny, and despite the doubts and hazards of working in a prison environment, a surprising show will emerge that will have a profound effect on the participants.

From his memories of the first parties of his adolescence in the 70s to the adult era of weekends with friends, as well as the rescue of a Top Model, or his heroic acts in Chile , the comedian delivers a show of more than 90 minutes.

French horror short from 1967.

Julien, a small thief on the run, to be housed and fed visually in prison, robbed a large jewelry store. Against all expectations, the coup succeeds. Julien finds himself in possession of high-value jewelry that is impossible to sell. Lolotte, his companion who had left him, returns opportunely for better or for worse. Julien, along with Steff, a taxi driver met by chance, Charlotte and Clotilde sets out to find a concealer.

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Frédérique Letheil, who heads the research department of the Emmerson oil group, has sacrificed her private and sentimental life to her experiments. The management, which sees her work as a financial drain, has her unjustly dismissed by the group's general manager, Maxime Vergnaud. When the company realizes its mistake and the economic and ecological potential of Frédérique's research, it asks Maxime to bring her back at all costs.